When fans of the football club of Beitar Jerusalem make their way to Teddy Stadium, they hardly ever notice Nadia as she enters and makes her way to a classical ballet studio beneath the bleachers. The ceiling trembles, the cheering fills the room, but the studio remains isolated from Jerusalem’s reality.
A decade ago Nadia and her mother, Nina Timofeyeva, a prima ballerina at the Bolshoi Ballet, left Moscow for Jerusalem and set up the studio. It was a professional suicide. Ballet and football make for a surrealistic combination.
Filmography: Eighty and Counting (2016), Paper Show (2002), Trumpet in the Vadi (2001).
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