Archive - Festival 42

A devastating critique of postwar Japanese society; it signaled Ichikawa's emergence as a mature director.

Village Voicetop
  • Archive - Festival 42
  • Director: Kon Ichikawa
  • Japan 1958
  • 99 minutes
  • Japanese
  • Subtitles in Hebrew, English

Japanese master Kon Ichikawa transformed one of Japan’s most important 20th-century novels into one of its greatest films. Ichikawa’s stark, poignant film is unforgettably rendered in stunning black and white with haunting, incantatory music.

The story follows the spiritual and psychological breakdown of an introverted, troubled youth named Goichi, whose desire for pure beauty leads him to Kyoto’s Shukaku temple, where he becomes an apprentice to the priest. Haunted by the trauma of his father’s death, Goichi is unable to reconcile the sacred beauty of the temple with postwar reality, and his absolutist ideals become increasingly distorted until they lead to destruction. 

Filmography: Dora Heita (2000), Princess from the Moon (1987), An Actor's Revenge (1963), The Burmese Harp (1956).

 

This film is part of a special tribute titled "Between Mishima and Oshima"


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  • Director Kon Ichikawa
  • Production Masaichi Nagata
  • Script Kon Ichikawa, Keiji Hasebe, based on the novel by Yukio Mishima
  • Cinematography Kazuo Miyagawa
  • Editing Shigeo Nishida
  • Music Toshirō Mayuzumi
  • Festivals Venice 1959 (New Cinema Award)
  • Actors Raizo Ichikawa, Tatsuya Nakadai, Ganjiro Nakamura
  • Source CineStage

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